Category: Biblical Criticism

  • Thomas W. Hudgins: Colossians 2:14 and The Certificate of Debt

    by Dr. Thomas W. Hudgins, professor, author of Those Footnotes in Your New Testament: A Textual Criticism Primer for Everyone and a translator of Dr. David Alan Black’s book, Aprenda a Leer el Griego del Nuevo Testamento.
    Certificate of debt? Record of debt? Debt? Written code? Handwritten certificate? Etc. What exactly did Jesus “cancel out”? What was it that Paul says was hostile against us? When we talk about this word as we are teaching through this passage, what should we emphasize and what should we not emphasize?
    I wanted to show you what some people have written in the commentaries concerning this word:
    John MacArthur writes: “Certificate of debt translates cheirographos, which literally means ‘something written with the hand,’ or ‘an autograph.’ It was used to refer to a certificate of indebtedness handwritten by the debtor in acknowledgement of his debt” (Colossians and Philemon, 112)
    Richard Melick writes: “Literally, the handwriting is a certificate of indebtedness written in one’s own hand. Taken this way, this means that there is a pronouncement that the personal note which testifies against us is canceled” (Philippians, Colossians, Philemon, NAC, 263).  (Read more.)
     
     

  • Henry Neufeld: Why I Believe in Dialogue, Respect, and the Gospel Commission

    by Henry Neufeld, publisher, editor, teacher and author of When People Speak for GodStories of the WayNot Ashamed of the Gospel: Confessions of a Liberal Charismatic and more!

    angrymanfistI’ve recently said and written a few things about the gospel commission, including my claim in my concluding presentation for my video series on eschatology that eschatology is all about the gospel commission. You’ll hear more about this in my foreword to Dave Black’s new book Running My Race . It’s in the final stages of production and should be available soon.

    This isn’t a new perspective on my part, but as soon as I start using words like “evangelism,” “mission,” or “the Great Commission,” I start getting questions about whether I believe in dialogue or whether I’ve started to think that all non-Christians are horrible people.

    On the other hand, each time I start talking about respect, interfaith dialogue, inclusion, and similar topics, someone is bound to ask me whether I’ve given up on evangelism and mission. Perhaps I no longer think Jesus is important. (Read more …)

  • Inspiration of Scripture: Meaning What?

    Inspiration of Scripture: Meaning What?

    by Edward W. H. Vick

    l. Theory and Fact

    The incentive for constructing theories of inspiration is to provide a basis for asserting the authority of the Bible. The Bible, so the argument goes, has authority because it is inspired, and it is inspired in the way the theory of inspiration accounts for it. Since we know how the scriptural books came into being and how they became part of the canon, we simply have to reject any theories which do not take this process into account, or which do not take it sufficiently into account.1 The question how in fact a scriptural writing was produced is decisive: ‘the real question is whether in fact such a writing was ever produced to form part of the Bible as we know it today. It is by this criterion, and not by its inner logic or consistency, that the relevance of the scholastic theology of inspiration must be judged.’2

    The question how in fact a scriptural writing was produced is decisive. It is the criterion by which we must judge not only a scholastic theology of inspiration but any theology of inspiration. What is at issue is the relevance of any theology of inspiration. In view of what we now know concerning how the book came to its final form, we ask how a theory of inspiration can be helpful and what it is that it explains. We must keep the demands of what we know about the actual production of the literature always before our minds. We go seriously wrong if we do not constantly keep in mind what happened in the long story of the composition, compilation and acceptance of the Bible.

    A theory of inspiration may make claims that are easily shown to be false by carefully examining the facts. It will either ignore or explain away the facts. Any satisfactory doctrine of inspiration will take account of these data, and be compatible with them. It will take notice of the history of the Bible, and its great complexity. It will not take as an a priori principle that the Bible is inspired, and then proceed to build on it, saying something like, ‘The Bible is inspired, therefore . . . .’ and then proceed to fill in the claim, e.g. there were certain ways in which it could not have been written. The last time I confronted the argument it went: ‘The Bible was inspired, therefore its writers could not have borrowed or copied from other sources in any shape or form.’
    Rather one first asks: What, according to the evidence which is available, are the stages and the processes which took place before the end-product resulted? If you ask this historical question, you will have to keep an open mind. It is not fitting, nor is it honest (even if one is sincere) to say, ‘Scripture is inspired: therefore such-and-such did not happen.’ We must seriously take account of the historical data. We may not overlook any significant facts in building a doctrine of Scripture.

    2. Some Well-established Facts about Scripture

    Here, then, is a short list of some well-established facts about the Scriptures. They represent the dedicated efforts of competent and devoted scholars over several centuries:

    1. There is an enormous range of styles in the Scriptures. Some is literature of the very highest rank. Other is ungrammatical.
    2. There are literary relationships between some of the scriptural writings. That means that the similarities are so close that they come from common literary, i.e. written, sources. Simply, the writer copied from other people.
    3. Oral traditions lie behind our written documents.
    4. The traditions were reworked, often several times, before the product resulted as we now have it. The process of redaction was complex.
    5. It was a common practice for ancient authors to use pseudonyms. They hoped to give distinction to their work by connecting it with well-known figures.
    6. It is at times impossible to harmonize some biblical narratives with others.
    7. Each piece of writing has come from a quite particular historical setting. In the majority of cases we can reconstruct that particular setting and relate the writing to the setting.
    8. Often, e.g. in Genesis, Kings, Deuteronomy, several oral traditions were set side by side.

    3. How the Books were Put Together

    The following is a very brief and simplified summary of the series of events that went into the making of a book.

    ‘Literary studies lead to the conclusion that the process of composition of a typical Old Testament book was as follows: a. groups of unknown people composed oral form to help them with their work, their worship, their teaching; b. the oral forms were passed on through the generations, undergoing small changes from time to time; c. local men of letters wrote down the oral forms with which they were familiar; d. in some period of great literary activity, an editor collected these various literary products and combined them into one large work; e. the large work might be combined with others to make up a complete roll.’3

    Any doctrine of inspiration must reckon with these facts, take into account this complex process by which the books came into being and the manner in which they came to have a special recognition in the church.

    4. Norms for a Doctrine of Scripture

    Even if we do not wish to enter into discussion of a particular viewpoint because we do not consider it an issue, it is sometimes worth­while to say why it is acceptable or unacceptable. ‘Inerrancy’ is the term used to refer to the view which holds that the Bible is without error, that it must be interpreted in such a way that one may claim that it contains no kind of error. ‘Verbal inspiration’ is the theory which says that the words of the writing have their origin in the divine initiative. ‘Dictation’ is the theory that God ‘spoke’ the actual words of the biblical writer, who duly set them down. Hence, the words of Scripture are the words of God. Dictation theory is not always, but very often, called upon as support for a doctrine of scriptural inerrancy.
    We shall now simply list reasons why a verbal, i.e. dictation, theory of inspiration is in error.

    1. The ‘writers’ do not claim to be inspired in this way.
    2. Only the originals would be so inspired. We don’t have them. Translations are of secondary value.
    3. It says nothing about the function of the books. Suppose they had been inspired in this way and left in a box and not yet discovered?
    4. Dictation theory is a caricature of the actual process of composition and transmission, which is quite varied indeed. It was ‘in many and varied ways’ that ‘God spoke’ [Hebrews 1:1]. Luke was not dictated to. Mark and other sources were copied by other scriptural writers.
    5. It makes the writers into puppets. The theory of accommoda­tion is an obvious enough rationalization.
    6. Evidence from the writings themselves contradicts a verbal inspiration theory.
    7. It misconceives the idea of authority.
    8. Even if it were true it would not establish the authority of Scripture. It only tells us how the words got on to the page.
    9. The writings are not without error.
    10. It fails to consider the historical evidence and in doing so distorts basic definitions, for example, ‘writer,’ ‘author.’
    11. It does not do justice to the diversity of the biblical materials.

    The question which raises a worthwhile issue is this: Can a duly modified theory of inspiration take account of the facts, some of which we have just mentioned? That is to say, Can a concept of ‘inspiration’ serve as a theological idea which can provide an adequate explanation of those convictions the Christian wishes to express about the Bible? Rejecting a theory of verbal inspiration, where dictation is the means, can we defend a modified theory of inspiration and account for the Christian attitude to and use of the Bible?

    We can certainly set out check points for any such doctrine. By referring to the objections made above to a dictation theory of inspiration, we can derive some norms for an adequate doctrine of Scripture. Any adequate doctrine of the Bible must give a satisfactory account of the following:

    1. What the ‘writers’ themselves claim or do not claim.
    2. The history of the original text, of its transmission and translation.
    3. How the books actually function in the Christian community. How the church uses the writings.
    4. The complex and various ways in which the writings came to be, and in particular,
    5. The creative individuality and contextuality, i.e. the humanity, of the writers.
    6. Evidence from the writings concerning the origin of par­ticular oracles, ideas and pronouncements.
    7. That the authority of the Bible is religious and relational.
    8. That the words of Scripture come to have such authority. This involves an extended process of recognition or canonization.
    9. That the writings are not inerrant.
    10. The history of the composition and compilation of the books.
    11. The great diversity of the biblical materials: including style, culture, religious and ethical views, form, and aim.

    ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­_____________________________________________________

    1Cf. Leo XIII (Nov. 18th. 1893).

    2Bruce Vawter, Biblical Inspiration. London: Hutchinson, 1972 3.1, p. 75.

    3David Stacey, Interpreting the Bible, London, Sheldon Press, 1976. pp. 44-45.

  • Has the multiplicity of interpretations made the Bible incomprehensible? —YES

    [EDITOR’S NOTE: This post is part of our series on controversial questions. A NO post will normally follow a YES post. Join in by posting your comments.]

    by Steve Kindle

    Head-Brown smallFor those of us in the West, once the Roman Catholic Church lost its hegemonic hold on the content of the faith, it’s become “every man for himself.” Or in the words of pope of the Reformation period, “With every man his Bible, soon every man his own church.” Quite prophetic, wouldn’t you say?
    The Reformation’s emphasis on the right of every believer to interpret the Bible soon became warrant for any old interpretation that suits the interpreter. Who is there to suggest otherwise?
    Add to this that the scholarly biblical academy can’t seem to come to a consensus on, well, you name it. We’ve arrived at a point where biblical inquirers are presented with a smorgasbord of options, and we pick and choose as it suits us, with no better reason than choosing a Ford over a Chevy, merely personal preference.
    This all begins with the complicated nature of the Bible itself. In order to make sense out of the 31,102 verses, 1,190 chapters and 66 assorted books, it is necessary to employ a schema, or template, to organize its contents into a manageable whole. This is truly a “can of worms,” as the options for this are mind boggling. Additionally, the Bible is a product of people with a worldview quite different from ours. It’s a very difficult task to enter into that ancient world and think as they did. It requires immersing ourselves in cultures two to three thousand years in the past. Many bypass this step and just read it like the daily newspaper. This “what it means today must be what it meant then” approach is sure to yield disappointing results.
    What this has done to the church is create oases of partisanship based not on what is found to be the highest truth, but on, as we know from H. Richard Niebuhr on down, economic and political confederacies. It means, “I belong to my denomination because I was raised in it,” or “The people were good to me and so nice.” No matter that you are led by a Jim Jones (Peoples Temple), or a Martin Luther King, Jr. People who, indeed, attempt to find the church closest to the Bible soon learn that it is a fool’s errand. Even the New Testament churches present a wide range of doctrines and differ in many ways. What would the doctrinally perfect church look like? The fact that there are hundreds of options (if not thousands) reflects the difficulty, if not the impossibility, of making sense of the biblical data to anyone but the interpreters.
    The classic creeds from the Nicaean forward were attempts to cull the basics from Apostolic Christianity to bring order and clarity to the church. All they did was divide the church then, and today make understanding them as difficult as understanding the Bible. Homoousios anyone?
    A literal understanding of the words in the Bible is no help either. Whether the literalist understands it or not, there is no such thing as an uninterpreted text. Whatever lens we view the Bible through will control the outcome. And we all wear lenses.
    Now, as to the meaning of incomprehensible. The dictionaries basically define it as “unable to make sense.” My overall point is this: Because the Bible does not speak with one voice, but covers a variety of points of view, and even contradicts itself from time to time, one can’t expect its interpreters to do any better. This cacophony of interpretations is bewildering and finally debilitating to the average Bible reader who ultimately surrenders to what seems best, unable confidently to sort out the best among its many contenders. “This makes sense to me,” serves as the final judgment, because we make it make sense.
    Any “sense” made from the Bible, is a derivative sense, derived primarily from the approach taken in the reading. There is no obvious sense lying on the surface for any fool to see.
    None of this is, of course, the Bible’s fault. It has the inconvenience of being made up of words. Words are, after all, symbols, and symbols are capable of wide meaning, especially when read by people with different backgrounds and experiences. The meaning taken from the Bible varies greatly among women, minorities, third world, poor, oppressed, and oppressor (to name only a few). The meanings are so dissimilar that one sometimes wonders if they are reading the same book.
    The real question is, is this a problem? Not if you understand that diversity of interpretive outcomes is inevitable. In fact, diversity of interpretation, for those who remain tentative in their work, is welcome. Why? Because it acts as a corrective. If we remain humble before the text and are willing to listen to others, inch by inch, we may actually come to a more suitable outcome than simply camping on what seems good to us.
    This diversity of interpretations is also good for us. Paul’s advice that we “work out our own salvation with fear and trembling,” puts the burden on seeking and finding for ourselves, but not just by ourselves, but in community with other seekers. Only in community can we be exposed to correctives and also the motivation to live out our discovered truths. Even though we may never find the ultimate answer (we see in a mirror, darkly), journeying together has its own rewards. In a very substantial way, the enigma of the Bible is also its greatest good.
    Now I know what you’re thinking. I may be right about some of the more difficult areas of biblical interpretation, but the Bible is very clear on what we need to know for our salvation. Oh, really? Is Paul the authority that we are saved by grace through faith–not of works? Or is it James who says that we are not saved by faith alone? Or are the Restoration churches correct in insisting that baptism for the remission of sins is necessary for salvation, or the Baptists who believe that baptism follows salvation? And all are against the Calvinists who insist that humans have nothing to do with the decision! (We could go on, couldn’t we.)
    Therefore, in the words of Micah,
    “With what shall I come before the Lord, and bow myself before God on high? Shall I come before him with burnt offerings, with calves a year old? Will the Lord be pleased with thousands of rams, with ten thousands of rivers of oil? Shall I give my firstborn for my transgression, the fruit of my body for the sin of my soul?” He has told you, O mortal, what is good; and what does the Lord require of you but to do justice, and to love kindness, and to walk humbly with your God? Or, as Ecclesiastes would say, “This is the end of the matter.”


    Steve’s books can be viewed and ordered here: https://energiondirect.info/authors/authors-d-k/steve-kindle
  • Going Deeper in Bible Study

    by Henry Neufeld, Publisher

    Learning coverRecently I was listening to an explanation of a Bible passage by a writer who shall remain nameless. In the course of this explanation it became clear that the writer had an overriding agenda, and by that I mean an agenda that overrode the story told in the text. It became his story as he repeatedly informed his readers of what other, less enlightened people believed the passage meant and then strongly affirmed that if we studied the passage “more deeply” we would discover that his conclusion was the correct one.
    The problem was that at no point in his explanation did he explain what there was “deeper” in the passage that would support his particular interpretation. He simply affirmed and reaffirmed that if we would just look deeper we would see that his conclusion was inevitable.
    I should note that my own understanding of the passage clashed vigorously with his. It could be that I’m biased. But I never heard him point to any particular element of the passage in question that would suggest his understanding over what he was describing as the dominant one for the passage, one that he thought was very wrong and even dangerous. I actually think both his and the traditional understandings leave something to be desired. But that passage is not my subject.
    Similarly, I have heard many proclaim that if one just looks at a passage in context, one will discover that it means something quite different than it appears to mean on the surface. Much less frequently the person speaking will explain just what context is in view (historical, grammatical, structural, literary, etc.) and just how that context changes the surface meaning.
    Don’t get me wrong here. The most obvious surface meaning of a scripture is very frequently not what the original author intended. If seen in proper historical, cultural, and literary context it may well mean something different. But these elements of context are something that a serious student needs to discover and then express. And there’s another important context: The context of our own experience and biases.
    I do not intend in this essay to propose methods of Bible study. I’ve written two books that are relevant to this process: Learning and Living Scripture (with Dr. Geoffrey Lentz) and When People Speak for God. What I’m suggesting here is that if we go deeper we have to ask “in what way”? If we study the context we need to outline the connections that we make and how those questions impact our understanding. If we are trying to see things from a broader perspective, what is that perspective?
    When I was in college taking a major in Biblical Languages, I encountered the historical-critical method. I also immediately encountered the controversy that there is around this. One was surrendering the notion that God had inspired the Bible if one used the historical-critical method. On the other hand, one was denying the intellect and going against science if one avoided it.
    I at first embraced this method for a simple reason: It was pursuing what I had thought was the goal of Bible study. Let’s get closer to the sources and thus get at the real truth. Form criticism could take me back to original forms of a saying so that I could hear it more like it was when it was first spoken. Redaction criticism let me look at the process of producing a book in the form in which it appeared in scripture. Source criticism let me look at documents that preceded the ones I actually had in front of me.
    I was digging back into history. I was getting closer to the source. I had never framed it in this way, but God was at the source, and if I could just get right back there I would know precisely what God had to say to me without any doubt.
    But then inadequacies began to show up in my new-found methods. Source criticism might explain how there were two creation stories and how they might differ, but if source criticism was the explanation for the differences, what explained the fact that they had been combined into one document? If they were too different to have been written by the same person, why could the documents written by two persons be combined, successfully, into one by yet another person. Was this latter person too stupid to see the differences? Did he just not care?
    Enter canonical criticism. Let’s look at the text as we have it in its canonical form, the form accepted by the community of faith over time. In this case, I look at the text as it is and ask what I can learn from the current form. This is all very nice, but I had to ask myself if the current form is the important thing, then why does it have such a tangled past? If the current form is so good, were those who lived with its predecessors spiritually crippled?
    While I could certainly pick holes in just about any critical theory, I could also see the ways they picked holes in some of the traditional views of how we got biblical books. There was plenty of room to critique the details of the sources of the Pentateuch, such as dating and the exact boundaries between them, but at the same time sources could explain the reason why many things were there that otherwise made no sense.
    It was at this point in my thinking that I started to refer to “critical methodologies” rather than “historical-critical method.” No, that’s not original with me, but I don’t even remember when I first encountered it. It just seemed to fit the need.
    Early in my studies I had some difficulty with the criticisms of one methodology by practitioners of another. Then I began to note that people tended to grab hold of one particular approach and stick with it. To a person with a hammer everything is a nail. To a form critic, everything was orally transmitted. To the redaction critic, there must have been a process of editing. To the source critic, all books have sources. And to the advocate of canonical criticism, it was obvious that the canonical form of the text, accepted by the church as Holy Scripture, was the one to study.
    So I went back to sources. Not document sources. Not historical first sources. Philosophical sources. Where do I start in my exploration of the Bible? My starting point is this: I believe God is active in history. I’m going to again bypass all the issues of why I believe this and in what way I believe God is active. I will simply note on the latter point that I prefer to say both that God can intervene, but that this intervention is more an internal process that we might ever imagine. (On this point, see Edward W. H. Vick, History and Christian Faith, though I had not read his book when I first took up this approach.)
    If God is active in history, why would I believe that God was more active in one piece of history than another? More precisely, why would I believe that God was more active at one point in the history of the text than at another?
    And thus I got a new definition of “going deeper.” I now consider it important to go deeper into the history of the text, not as I did when a college student trying to get closer to the mouth of God, but rather to see God in action in the production of the text. Form criticism, to the extent it works, takes me to a point where I can see, through a glass darkly, early people telling stories of their God around a camp fire. Sources let me see communities that contributed to my community bringing God’s stories together. Redaction criticism let me look at those communities trying to bring their variant stories of God’s activity into one stream.
    In turn, once there was a text to be transmitted in writing, the variants in the text told me the story of transmission and preservation. I can certainly use text-critical principles to get a text closest to the original, but in those variants I can also see God’s people struggle with the meaning of that text. Instead of becoming concerned about errors—and there are many errors in transmission—I started to see each document as somebody’s Bible, or a portion of it. However much I might treat it as a source of data, textual variants, for someone, the manuscript in front of me was God’s Word.
    As people then create translations and editions, instead of seeing some corruption of an early source, I see God’s people both passing on and shaping the story of God’s action while at the same time shaping it for generations to come.
    This is just one strand of the way we read and tell the story of God’s people. God is no longer, for me, the distant person that I search for at the end of a long process, whether the historical-critical process I learned in academic work, or the historical-grammatical study I learned when I was younger. God is, for me, the one who is in and through everything, who spoke and yet speaks, who is obscured in the tales of old, and often equally obscured in ours, who may be clearly seen in some events in the past, but may also be clearly seen in my own home.
    And then as I tell that story and shape that story, I know that God will still be active.
    Bible study, in this sense, is not a spectator sport. It’s a participatory sport. Don’t get upset that I’m calling it sport. It’s often one of the greatest sports that there is. To use examples from baseball, as we interpret, we can throw balls and strikes. We can hit a ball in a way that looks hopeless, but due to someone else’s error nonetheless it results in a run. Or we can do everything perfectly in terms of technique and still get nowhere.
    And because God is with our study every bit as much as he was with the most ancient source, we don’t have to worry. We can go ahead and play at whatever skill level. Just remember that none of us play the game to perfection.

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